Shawn and I are motoring along.
We've put what I want to say on the timeline, now it's just organizing it; everyone has so many insightful things to say, the elimination process is tortuous.
I bet you all can't wait to see the finished product, eh.
Feel free to let me know if there are things you want to know about the edit process.
I'm using an Avid system and have 5 more weeks of edit time.
You all be well,
gail
We've put what I want to say on the timeline, now it's just organizing it; everyone has so many insightful things to say, the elimination process is tortuous.
I bet you all can't wait to see the finished product, eh.
Feel free to let me know if there are things you want to know about the edit process.
I'm using an Avid system and have 5 more weeks of edit time.
You all be well,
gail

2 Comments:
I've heard of Avid, but haven't worked with it first hand. The screenwriting software that I use--Final Draft--has a feature that I haven't used yet where the script can be exported to Avid, which enables all the characters' dialogue to be synched with audio-video in the Avid timeline (for subtitle processes and close captioning, according to manufacturer).
I probably would rarely if ever use that feature on my screenwriting software that exports the script to Avid, but it nevertheless illustrates the vast array of options provided by the world of digital. Speaking of wanting to know things about the editing process, I wonder if back during principle photography, the sound was recorded into a stand-alone sound recorder (instead of using a digital camera's audio memory feature), and if so, whether this provided better sound quality and control upon the editing stage.
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